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The yak furs are warm but musty. I am tired. The grass plains below spread from horizon to horizon. My breath steams in the early morning air.
I have far to go.
A dot high above me drops. A hawk.
It lands on my outstretch arm, its heft a comfort. Two dim orange eyes regard me from behind its blinkered cowl.
A note attached to its leg.
“You have one unread DM.”
But… but I’ve read it, I think. I’m certain I’ve read it.

The  monastery is quiet. The monks, serene, tend to their garden, to their bees.
I am welcomed.
Well… perhaps ‘welcomed’ is the wrong word. I am simply accepted - as existing, as being there, as seeking refuge.
I meditate. I heal. The calluses from my travels begin to soften.
I am sat in the garden and the peach blossoms are streaming down around me.
Cross-legged and eyes closed, I am finding my center.
A tap on the shoulder. I open my eyes.
A monk stands in front of me. He leans forward and breaks his 60 year vow of silence.
“You have one unread DM,” he says, his voice crackling with new use.
“I don’t,” I reply. “I have read it.”
But he is gone.

They had come at night. Quiet, at first, but without regard once discovered - tearing through the shōji screens of the house, blades out, cold and hard and terrible. Driven. Unblinking.
I lie propped against the wall. Bleeding. Unable to move. The back door is torn open. The moon is looking down on the bodies of my fallen enemies. 
I am cut. Deep wounds. Such rough surgery.
I am wondering whether it is too late to compose my death poem.
An arrow thuds into the beam above me. A figure, clad in black, scurries from a distant rooftop.
A small banner unfurls from the arrow.
‘You have two unread DMs.’
Oh for fucks sake.

I wrote this better a bunch of times. I had that second sentence less fragmented (‘only live’? blergh); I used more evocative words. It didn’t fit that way though, so, like everything else I do, I kinda fudged it.
Still.
It’s okay to have favourites of your own stuff, I think, and this (or what it could have been) is one of my mine.

#SOTU

[THE SCENE OPENS ON THE MOUTH OF AN ALLEY FACING OUT TOWARD THE STREET. IT’S DIRTY AND A DUMPSTER SITS ON ITS EDGE. OUR HERO RUNS BY THE ALLEY’S ENTRANCE, BREATHING HEAVILY AND PERSPIRING. HE CATCHES SIGHT OF THE ALLEYWAY IN PASSING, STOPS HIMSELF SUDDENLY, BACKTRACKS AND DUCKS DOWN IT. HE DIVES JUST BEHIND THE DUMPSTER AND HOLDS HIS BREATH. A SECOND LATER A MOB OF PEOPLE STREAM BY, FURIOUSLY SHOUTING OUT THEIR OPINIONS ABOUT AN EVENT BEING BROADCAST AROUND THE WORLD ANYWAY. THE CROWD PASSES AND SILENCE DESCENDS ONCE MORE. OUR HERO WIPES HIS BROW.] 

Our Hero: Phew. 

When all the memes were done,
all the sandwiches eaten
(ordered from take-out menus
hung on the doors of other restaurants);
When all the songs were sung 
and the trumangs texted
and all our pets had their own accounts
and tumblogs
and podcasts;
When we’d all married a follower
and had finally tired of making fun of making fun of making fun of
ourselves,
All that was left
was a horse
telling jokes.

RealTimeWWII is a twitter account of events from 1939, tweeted in parallel real-time (if that makes sense.) It is by far the most fascinating part of my twitter stream at the moment, if only for the breadth of war-related topics it covers.

“It’s like trying to make fun of a clown. What, you’re going to make fun of his tiny car? His floppy shoes? It just doesn’t work.” - Orig.

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